Born in Masan, South Korea and adopted at three months old, Thomas Halbur was raised in Omaha, Nebraska, where he first discovered his love of art at George Catlin Arts Magnet. There, he was exposed to a range of mediums and introduced to the cultural traditions of various communities. Though he grew up with little exposure to his Korean heritage, these early experiences sparked a deep curiosity for identity and culture that continues to shape his practice.

Halbur’s work embodies a synthesis of visual traditions, merging the ornate geometry and spiritual symbolism of Korean Dancheong and the folkloric storytelling of Minhwa with the fluid motion and expressive linework of early 20th-century American animation—often referred to as the “rubber hose” style popularized by studios like Fleischer and Disney. Layered with the bold color palettes and experimental spirit of the 1960s psychedelic art movement, his imagery bridges cultural and stylistic worlds. Through this fusion of Eastern ornamentation and Western animation, Halbur constructs a vibrant visual language that is both nostalgic and exploratory—anchored in heritage, yet expanding through the imaginative language of Western art

As a follower of Christ Jesus, Halbur’s Christian faith is the cornerstone of his artistic practice. Each work is created as an offering, an act of reverence, and a means of sharing the Gospel by meeting people where they are. Faith provides him with guidance, strength, and clarity, infusing his art with a sense of gratitude and spiritual purpose.

Halbur’s process often begins with digital sketches in Procreate before he transfers them to wooden panels, where he uses acrylic markers to build layers of detail and texture. Through this approach, he explores themes of identity, belonging, and cultural reclamation, while inviting viewers to reflect on their own narratives and shared humanity.

His work has been exhibited in galleries throughout Omaha and nationally. For Halbur, art is not about achieving perfection but about cultivating presence—staying open to growth as an artist, a believer, and a Korean adoptee. His paintings honor God, celebrate cultural heritage, and create space for reflection, joy, and connection.